Showing posts with label Escalante Brothers Circus. Show all posts
Showing posts with label Escalante Brothers Circus. Show all posts

Sunday, January 26, 2014

A century ago: dawning of a new year in 1914

Mochitsuki: A New Year tradition, making mochi in Orange County, circa 1926. Cooked rice pounded into a sweet confection still popular today. (Photo snip, Center for Oral and Public History, California State University Fullerton, PJA 050)

   A century ago, the new year in 1914 brought both promise and uncertainty for Japanese pioneers in California.  It was a time of global social and technological change--affecting state politics--while at the same time generating excitement about what opportunities lay ahead.

   In Wintersburg, Charles Furuta and his new wife, Yukiko, had completed construction on their white-trimmed bungalow and settled in to their life as newlyweds.  Photos from 1913 show a clothes line with wooden pins behind the house, a lush tree line surrounding the Furuta farm, a stack of wood nearby for future projects, and the Wintersburg Mission and Terahata house among the trees in the northwest corner of the farm.   

   During her 1982 oral history interview, Yukiko described her home:It was originally about half the size of the present house, because only two people lived in it.  It had a living room, a kitchen, and two bedrooms...There was no electricity, no city gas, and...an outdoor bathroom." In 2014, the Furuta bungalow remains one of the few Japanese pioneer homes left in Southern California.

LEFT: Yukiko Furuta holding her first child, Raymond, in 1914. This photograph is thought to be inside the Cole Ranch house in Wintersburg Village. The Cole Ranch was located where Ocean View High School is today at Warner Avenue and Gothard Street in Huntington Beach. (Photo courtesy of the Furuta family)

   By 1914, Charles and Yukiko had been married well over a year and were busy establishing themselves in Wintersburg Village.  Yukiko's expression in photographs from that year is less nervous, more content, now that she had seen more of what her new life in America would be like.  She had already seen the bustling cities of San Francisco and Los Angeles, walked the beaches of Long Beach and Huntington Beach, shopped at the Tashima Market and attended services at the Wintersburg Mission.

   Yukiko had arrived in Orange County in time to witness the 1913 flight from the Dominguez Hills airfield in Los Angeles County to a farm field in Wintersburg by Japanese pioneer aviator Koha Takeishi .   Supported financially by farmers in Smeltzer and Wintersburg, Takeishi would again receive their support in 1914 to participate at the
Osaka Asahi airshow in Japan.  This would be the airshow at which he lost his life.  


   The Pacific Electric Railway's "Red Car" had been humming back and forth between Huntington Beach and Los Angeles for a decade, bringing Angelenos to the beach and making it easier for Orange County's Japanese community to visit Little Tokyo.  As planned, the railroad had prompted more growth in nearby Huntington Beach.

    Charles had already constructed an earthen tennis court on the farm for Yukiko, and he gamely learned to play the sport she had enjoyed in Japan.  Also, the year 1914 brought the joyful arrival of the Furuta's first child, Raymond.  

RIGHT: A close-up image snipped from a larger photo of the earthen tennis court at the Furuta farm, circa 1913.  Charles Furuta, far right, constructed the court for his new wife, Yukiko.  The Terahata house which had been temporarily moved to the farm is in the background. (Photo snip courtesy of the Furuta family)

   Yet, 1914 also ushered in changes that caused anxiety for the growing Japanese community in California.  The state legislature had passed the Alien Land Law of 1913 which meant Japanese Issei could no longer buy property.  This was the result of a decade of lobbying by labor organizations, like the San Francisco-based Asiatic Exclusion League.  In general, there was opposition or ambivalence to exclusion and segregation laws in the southern part of the state.  Two U.S. presidents--Theodore Roosevelt and Woodrow Wilson--had tried unsuccessfully to dissuade discriminatory action by California legislators.
 

The Great White Fleet parked off Huntington Beach in 1908 before sailing to Yokohama Harbor, in a show of friendship between the United States and Japan.  Afterwards, Northern California legislators introduced a series of bills to segregate Japanese immigrant children from the public school system. President Theodore Roosevelt wired California Governor James Gillett to protest the actions as counter to national policy. (Photo, April 18, 1908, City of Huntington Beach archives)
  

   President Woodrow Wilson had sent a friendly message to Japan in 1913, while dispatching Secretary of State William Jennings Bryan to California to plead against passage of the Alien Land Law.  He argued it obstructed the treaty obligations of the United States.   Juichi Soyeda with the Associated Chambers of Commerce of Japan visited the United States and urged the Japanese and American cultures to attempt to understand each other.  

   Despite these efforts, California Governor Hiram Johnson signed the Alien Land Law of 1913 on May 19 of that year.  Directed at the Japanese, the law also affected Chinese, Indian and Korean immigrants, while not affecting other non citizen immigrants.  

RIGHT: Geraldine Farrar's performance as Madame Butterfly in the Giacomo Puccini opera is featured in a Victrola advertisement in 1914.  She had first performed as Madame Butterfly in 1907 with the New York's Metropolitan Opera.  Much of the country was enamored with Japanese art and imagery, which influenced popular culture in America. (Image, Wikicommons)

   Attorney and journalist Carey McWilliams--a graduate of the University of Southern California law school--later observed that the country failed to recognize California was part of the emerging Pacific Rim and the failure to forcefully address the prejudices led to failed foreign policy.  McWilliams also noted “the southern part of the state and the rural areas generally were not favorable to the agitation.”

In Orange County
   As McWilliams described--although there were instances of discrimination--the intensity of exclusion politics was not felt to the same degree in Wintersburg.  In farm country and along the Pacific shore in Southern California, people were working to establish new communities, put in roads, water and drainage systems, and develop new businesses to keep up with services needed by the growing population.  In other words, they were busy.

LEFT: Orange County's Japanese community  in the Armistice Day parade in 1926, with parade-watchers along the street and on the rooftops. (Photograph snip courtesy of Center for Public and Oral History, California State University Fullerton, PJA 056)

    The Japanese community had been a regular part of the County's Armistice Day parades and July 4 celebrations in Huntington Beach, and had contributed to the fundraising effort to rebuild the Huntington Beach pier.  They also would be part of the re-dedication of the pier in 1914, with Japanese fencing and sword-dancing listed on the program right before the surfing demonstration by George Freeth.  Members of the Japanese community served on the Orange County Farm Board and had worked with Caucasian and European immigrant farmers battling celery blight.   With post office boxes in downtown Huntington Beach, Japanese farmers from around the countryside were part of the community.

   Despite this, in 1914 northern California congressman John Raker introduced a bill to exclude Japanese from the United States.  The U.S. House of Representatives rejected the bill as not being in the national interest.  While there were land use covenants restricting where people of color could live in Anaheim and in Los Angeles County during this time, there were none in the Wintersburg Village and Huntington Beach communities.   

RIGHT: Road grading with horse-drawn equipment in the area of present-day Farquhar Park, Lake Park and 13th Street in Huntington Beach, circa 1912.  In 1914, much of Huntington Beach and all of Wintersburg Village was unpaved, country roads; grading was a welcome improvement. (Photo, City of Huntington Beach archives)

   Beverly Bowen Moeller, the granddaughter of one of Huntington Beach's first mayors, Samuel R. Bowen, recalled in some hand-typed historical notes*, "...I would walk along the high-crowned oil road past the chili pepper drying houses, past an old wooden derrick with the fields of the small farms belonging to German, Japanese and Italian neighbors," wrote Bowen Moeller. "Across the street from our house was my favorite place in my small world, the nearly self-sufficient farm of the Armenian neighbors..."  

   Bowen Moeller describes a predominantly immigrant community, integrated and distinct.  For the farm country, the politics of 1914 were known, but a world away from the reality of their daily life. 

The dawn of a new year, unrest and change
   A tremendous social shift was occurring as the world marched toward globalization.  In Europe, 1914 would bring the beginning of World War I with the outbreak of conflict and declarations of war.  Some from Wintersburg Village and Huntington Beach would later leave the peatlands for military service.  Japan would join the allies and later declare war on Germany, invading their settlement in China.

   In South Africa in 1914, Mahatma Gandhi would be arrested campaigning for Indian rights.  In Latin America, the Panama Canal opened, providing easier steamship travel between the Pacific and Atlantic, and creating excitement in California ports about the "Panama ditch."  

LEFT: Mexico's revolutionary general Pancho Villa was front page news at the end of 1913.  U.S. troops were sent to occupy Veracruz in 1914, leading to a fallout in diplomatic relations between Mexico and the United States. (Image, San Francisco Call newspaper, December 12, 1913)

   U.S. Marines were sent to Mexico by President Woodrow Wilson after an attack on on Americans at the port of Tampico, and America occupied Veracruz.  The California national guard and naval militia were sent to the border.  Mexico ended diplomatic relations with the United States.

   In Wintersburg, the events in Mexico meant the welcome arrival of the Escalante Brothers Circus.  Traveling north by oxen cart to escape the fighting, the troop hoisted their tents in Talbert near present-day Bushard Street and Talbert Avenue, undoubtedly attracting scores of excited farm children. 

   New technologies like the telephone were becoming more available; 1914 was the year the final pole was set for the first telephone line that crossed north America, east to west.  The innovation of the automobile assembly line in 1913 made road travel more affordable, prompting the romance of the American road trip and, locally, beach camping in greater numbers.  Americans began to communicate and interact at a faster pace.

RIGHT: The Hamilton Illustrated Auto Road Map for California in 1914 included an explanation about how to read the map. The maps included pictures of landmarks, like barns and trees, to help drivers find their way.  As noted on the description at right, "unimportant places without hotels or garages, are not indicated because they only confuse."

   It was the time of pioneer aviation.  Self-promoting stunts like French aviator Hubert Latham's infamous 1910 duck-hunting flight over the Bolsa Chica Wetlands took an ominous turn in 1914 when another French aviator, Roland Garros, attached the first machine gun to the front of his airplane, taking war into the air. 

In Wintersburg
   By 1914, the celery blight had led to increased growing of chili peppers and the innovation of chili pepper dehydrators by the Japanese community.  Shaving a couple weeks off the time it took to dry chilis, local growers and cooperatives attracted attention from buyers from around the country, just as they had with celery.

   Orange County's first tofu manufacturer began in 1914, with deliveries by horse and wagon.  The tofu business almost was lost that year when the young entrepreneur died after being thrown from his horse and wagon. The tofu business was taken up the same year by Kikumatsu and Kumi Ida, who established their business next to the Wintersburg Mission-supported Japanese language school in Garden Grove.

   Wintersburg's Charles Furuta and Henry Akiyama had been farming a plot of land at the Cole Ranch since 1912 as a separate enterprise, while working for the Cole family.  Their first crops were hurt by blight and they incurred significant debt.  However, what seemed like a major setback was turned around by global events.

Henry Akiyama remembered the impact on local farmers of the start of World War I in Europe, during his 1982 oral history interview.

ABOVE: Newly-married Masuko Yajima Akiyama in Wintersburg circa 1915, likely near the Wintersburg Mission.  What appears to be a telephone line crossses the field in the background. (Photo snip, Center for Oral and Public History, California State University Fullerton, PJA 302)
 
    "At that time in 1914 the first World War started. And because of the war, the cost of food went up and the prices for agricultural products became favorable," recalled Akiyama.  He explained that he and Charles Furuta had a very good crop that year and the higher prices meant they were able to make a profit, enabling them to pay off all their debts. 

   Being debt-free meant Henry Akiyama was in a position to marry Yukiko Furuta's sister, Masuko Yajima, who he had seen in a photograph at the Furuta home. Yukiko happily arranged for the marriage that would bring her sister to America.   

   In 1914, Masuko Yajima arrived in San Francisco by steamship and was married to Henry Akiyama by Wintersburg Japanese Presbyterian Mission founder Reverend Hisakichi Terasawa.  He also had performed the Furuta's marriage and had baptized Charles Furuta, making him the first Japanese baptized Christian in Orange County.  The Akiyamas would become one of the three goldfish farmers of Wintersburg Village, along with Charles and Yukiko Furuta.

   At the time Henry and Masuko Akiyama married, San Francisco was busy preparing for its debut as the host of the Panama Pacific International Exposition in 1915, the official celebration of the opening of the Panama Canal.  Newspapers of the time forecast an economic boon to California ports when the Canal opened traffic between the Atlantic and the Pacific Rim.  

   Through it all--while seemingly in a constant state of hyper-dramatic change in 1914, negative and positive--California displayed its characteristic love for innovation and its sense of optimism about the future.  Those who live with earthquakes learn how to pick themselves up and keep going.


The Panama Pacific International Exposition site under construction in 1914 at San Francisco.  The Exposition was seen as a way to demonstrate San Francisco's recovery from the Great 1906 Earthquake. (Photo snip, February 20, 1914, Library of Congress)

Today
   The Historic Wintersburg property remains a touchstone of the settlement of California and a witness to the events that shaped the state.  To walk inside the old-growth redwood Mission, wide-plank barn, and Depression-era Church is a rare experience that cannot be duplicated once lost.  

 This week, the news media is abuzz with cautions about and comparisons of 2014 to 1914.  There are lessons to be gained from those who faced in 1914 what must have seemed like a world struggling to keep up with social change, volatile politics, and new technology.  We've done this before.  It's why historic preservation matters.

   Join us as we continue our work to save a piece of old CaliforniaThere are good things ahead in 2014.

*Beverly Bowen Moeller, Fifty years ago in Huntington Beach, 1984, Orange County Archives.

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Wednesday, December 19, 2012

When the circus came to Wintersburg Village

ABOVE, EL CIRCO ESCALANTE: The Escalante Circus raised their tent about 300 feet east of the intersection of Talbert Avenue and Bushard Street, near the Southern Pacific Railroad line.  Former circus man Ivan Henry of Circus Blog, identifies some of the group: Chata, Melonga, Mary Henry, Cliff Henry, Landon Midgets, Henry Escalante, Lalo Escalante, Phil Escalante, the Gutierrez family, and wire walker Herby Weber, far right. (www.circusblog.wordpress.com)

-Updated: April 2017-

   The Los Angeles Herald reported in 1910, "there are three particularly happy days in the American calendar, Christmas, Fourth of July, and circus day.  Of these, circus day is easily the merriest...somehow it holds a steady place in the human heart."

   Word about a circus arriving in the middle of the peatlands would have spread exponentially from farm to farm, as fast as the little feet of chattering children, interrupting the normally quiet rural life with the sound of trumpets and calliope.  

   Crossing through the fields of sugar beets and chili peppers, came exotically-costumed performers, animals, clowns, puppet shows, live music.  It was the type of mind-blowing excitement that made farm children watch the minutes tick by on the school clock until the day was over.

RIGHT: A late 1800s children's book captured American children's sense of magic about the arrival of a circus.  (Image, Library of Congress, The Circus Procession. N.Y., McLoughlin Bro’s., c1888)

   Most farm country pioneers had little time for recreation and when they did, the available entertainment was simple: the beach, picnics, music from anyone with an instrument, and, when available, motion pictures.

   Clarence Nishizu, a Wintersburg Japanese Mission congregant, recalled during his 1981 oral history interview an annual picnic for area families at Santiago Beach, an open beach at the ocean end of Bushard Street in southeast Huntington BeachNow and then, there were movies held at a large chili pepper warehouse in the Stanton area.

LEFT: The Furuta family children and others in the Wintersburg peatlands and rural Orange County usually created their own entertainment. (Photo circa 1915-1918, Wintersburg's Cole Ranch located near present day Warner and Gothard avenues, courtesy of the Furuta family) ALL RIGHTS RESERVED ©

   "They didn't have any talkies," remembered Nishizu.  "But they had silent movies and they had a person called a 'benshi' who would stand in front on the side of the screen and while the picture was showing he would simulate the words spoken by the different characters in the movies. They had this maybe once, or even twice, a month."

   When the Escalante Brothers Circus arrived in Orange County, they marched right down Wintersburg Road (Warner Avenue) to advertise they were in town.  Musicians, acrobats, trapeze artists paraded down the country roads in a loop through Wintersburg and Huntington Beach, before returning to their circus camp in Talbert (present-day Fountain Valley).  A trail of children followed.
    
RIGHT: Circo Escalante Hermanos was founded in 1909--the same year Huntington Beach incorporated--and toured Mexico, the southwest United States and Europe. (Image, circushistory.org)

Escalante Brothers Circus
   The Escalante family was described in a 1940s news clipping as "the most amazing family in circus history."  Attractive and charismatic, the large family created a sensation when they arrived in town with lively music and bright tents.  According to Nicolás Kanellos in his History of Hispanic Theater in the United States, the Circo Escalante Hermanos' great tent included a prosenium stage and, in addition to circus acts, their performances included melodramas and zarzuelas.

   Bob Taber wrote about "The Escalante Circus From Mexico" more than fifty years ago in a January - February 1961 issue of Bandwagon.  At the time of the article, the original founding brothers--Mariano, Pedro and Marcus--were retired and living in Los Angeles.

LEFT: Louise Esther Escalante, 1936 - 2006, part of the Escalante circus tradition. (Photo, FamilySearch.org)

   "There was an era in the circus history of the Southwest, principally California, Arizona, New Mexico and Colorado, when the so-called Mexican circus filled its place. Performers from these later presented acts as stars of circuses playing from Coast to Coast, Canada and the United States," writes Taber. 

"Between 1910 and the mid-thirties there came to this country from South of the border Mexican parents with their talented children," describes Taber.  "They had an entire show within the family as all members did several acts. Their expenses were small, local restrictions were not too strict and they prospered."
 
   Originally from  Zacatecas, Mexico, the circus "moved via ox-cart across the trail-like roads of Mexico" and crossed into Texas to perform.  With the Mexican Revolution in full force, the Escalantes began performing more often in the United States.  Every family member was involved in circus performances, sewing their own tents and costumes.

   "All these shows were patterned on the European type. They were one ring affairs with a stage at the end, where the dancing numbers were presented.  Two or three rows of chairs in circles surrounded the ring. These were reserved for extra money," describes Bandwagon.  

RIGHT: The Escalante Sisters later performed with other circus groups across the country.

   "A bright red carpet covered the ring floor with the initials of the show worked out in gold or white. Baskets of paper flowers were fastened to the quarter poles.  On occasions those flowers were sprayed with perfume.  The interior of the tent was decorated with flags and pennants," continued Bandwagon, revealing the circus' magical quality at night.  

   "At first, illumination come from gasoline lights, later it was electricity. Over the tent was strung a row of colored lights. Before each performance the band gave an outside concert."

LEFT: Louise Esther Escalante, daughter of Henry and Lorena Escalante, was a graduate of Alhambra High School in the San Gabriel Valley. (Photo, FamilySearch.org)

   The circus shows of the time "wildcatted."  They did not announce their visit in advance, instead distributing handbills as they paraded through town on arrival.  The circus parade was the means of advertising they were in town, creating excitement with a hint of the performers, musicians and animals that circus-goers would see at the show.  They stayed in the area as long as there was business. 

RIGHT: Lorena Escalante, wife of Henry "Blackie" Escalante, the grandson of the circus founder, Mariano. (Photo, circushistory.org)   

   In the unincorporated area of Talbert where the Escalante Circus put up their big tent, it's likely there were no fees.  After incorporation in 1909, Huntington Beach began charging a $20 fee per day for circuses to camp on city land, pushing the circus to County land.

   Conditions weren't always easy.  The Escalante Brothers Circus' agent, Lee Teller, wrote to Billboard in 1921 that he had just "returned from Mexico and Arizona, and that business across the line as far as Mazatlan was just fair."

"Conditions are none too good for shows, he says," describing the Escalante family's experience touring Mexico the year following the assassination of revolutionary leader Pancho Villa. "Money is scarce and the national currency only one-half value of this country."

   "In Nogales, the advance men of the Howe show were welcome visitors," continued Teller, "The Escalante troupers visited the Howe show at Yuma. In Coachella, the Escalante show ran into a wind storm, with a ninety-mile gale and the sun invisible for three days on account of the sand."

LEFT: Walter Knott's first berry stand along Highway 39 in Buena Park, circa 1920, around the time the Escalante Circus was making a tour of Mexico and Arizona. (Photo, City of Huntington Beach archives) 

  A good tent, bright lights, and a good band 
     What was it that made the Circo de Escalante such a beloved attraction?  In the 1961 interview, Mariano Escalante said "that to have a successful circus one should have a good tent, lots of bright light and a good band. He recalls that in 1916 there were 16 loud-blowing musicians in the band."  

RIGHT: The Escalante Circus Band, led by Jesus Mendoza, was part of the family's winning formula, along with a good tent and bright lights, according to Mariano Escalante.  (Photo, circushistory.org)

   The Escalante Brothers Circus advertised jugglers, trapeze acts, comic singers, gymnists, dancers, contortionists, tight wire acts, a trained bear, musical burro, clowns, "educated" ponies, and "the only singing coyote in the world."

    The Escalante Circus and others continued through the Great Depression, until municipal fees and regulations made it more difficult to be profitable.  However, like those in Wintersburg, the Escalante family made a success of their life in California and their descendants continue to live here today.
 
LEFT: The historical marker at the intersection of Talbert Avenue and Bushard Street in present-day Fountain Valley notes the circus parade went to Wintersburg.*  One of the first ordinances passed when Huntington Beach incorporated in 1909 included a fee of $20 per day for anyone operating a circus.  In unincorporated Orange County, the Talbert camp site was cheaper for a traveling circus.

   Notable acts with the Escalante Brothers Circus included actor Eddie Albert of television show Green Acres fame and Henry "Blackie" Escalante, who also went on to film and television.  

   Prior to World War II, and before his film career, Albert had toured Mexico as a clown and high-wire artist with the Escalante Brothers Circus. His official biographies state he secretly worked for U.S. Army intelligence, reportedly photographing German U-boats in Mexican harbors.

RIGHT: Actor Eddie Albert got his acting break with the Escalante Brothers Circus, prior to World War II.

    Henry "Blackie" Escalante, the grandson of Circus founder Mariano Escalante, performed with the circus as an aerialist.  The Los Angeles Times remembered in his 2002 obituary that, "like his grandfather, father and uncles, Henry Escalante mastered the trapeze and 'flew' with the family circus and others."

LEFT: Henry "Blackie" Escalante, 1915-2002, became a well-known actor and stuntman in Hollywood, living in Montebello, California.

   The turn of the Mexican Revolution that brought the Escalante Brothers Circus into California in a prior generation, led to a career in entertainment.  Blackie Escalante worked for more than 40 years as an actor and stuntman, including doubling for Johnny Weissmuller in the Tarzan films.   His work also included Creature from the Black Lagoon (1954), in which he played Chico, one of the boat crewmen,  stunt work on The Conqueror (1956), The Ten Commandments (1956) and Paint Your Wagon (1969).

   Beginning in the 1960s, Escalante appeared in episodes of The Man from U.N.C.L.E., The Girl From U.N.C.L.E., Mission: Impossible and Hart to Hart. His final TV appearance was in an 1983 episode of The Fall Guy.

   The Escalante Circus is reported to have toured from the 1910s to the 1950s.  By the mid to late 1940s, the small circuses that once brought excitement to rural California began to dwindle in number.  Although, the public still wanted to see them.


RIGHT: Milonga Escalante is shown touching up the makeup of circus clown, Merry Mell, in a Santa Ana Register feature highlighting the "hundreds of people and animals" to be seen in the Russell Brothers circus in Santa Ana, April 28 to 29, 1942. (Santa Ana Register, April 24, 1942)

At the end of April, 1942,--as Orange County's Japanese Americans were leaving California for forced World War II incarceration--the Seven Skyrocketing Escalantes joined the Russell Brothers' three-ring circus at a two-day show in Santa Ana.  They were described by the Santa Ana Register as "exemplifying the poetry of motion in the air."

   The public wanted to see them again.  A December 11, 1943 issue of Billboard reports, "The Escalante Circus, which has not been on road (in the U.S.) since 1938, opened November 4 for a six-day run in East Los Angeles..."   

   The Escalante Brothers Circus also performed that year in Orange County"at capacity" in Santa Ana for nine days and on to Anaheim and La Habra, before heading south.  

   "Their big top was a 100-foot roundtop," reported Billboard, noting the Escalante Circus included an eight-piece band. "Business here was big and on several days many were turned away."

   As the Los Angeles Herald affirmed in September, 1910, "there is no real, red-blooded man but feels the thrill of merriment when he hears the circus bands and gets a glimpse of the parade...You cannot escape the fever."

LEFT: A Day to remember. Hundreds of Orange Countians line the streets for a circus parade in Santa Ana, California, circa September, 1910. (Photo, Orange County Historical Society) 

*Editor's note: The historical marker for the Escalante Circus site is at 33° 42.093′ N, 117° 57.75′ W, in Fountain Valley, California, at the intersection of Talbert Avenue and Bushard Street, on the right when traveling east on Talbert Avenue.

All rights reserved. No part of the Historic Wintersburg blog may be reproduced or duplicated without prior permission from the author and publisher, M. Adams Urashima.